Community Calendar

This exhibition focuses on more than 60 recent works by photographer James Welling (American, born 1951). From the artist’s Cento and Personae series, these photographs of ancient sites in Italy and Greece, as well as antiquities in museums around the world, underwent digital and painterly alteration to achieve transformative effects. The photographs will be exhibited alongside a selection from the Museum’s extensive collection of historic plaster casts of Greek and Roman sculpture.
As Welling explains, he is interested in “reanimating” the men and women of the ancient past through these works and connecting them to our own time in a fresh way through his innovative combination of photography and painting. Visitors to the exhibition will feel their curiosity piqued by his elusive and often haunting evocations of the ancient Mediterranean world.

James Welling, Fragment of a gold leaf wreath, 2020, oil pigment, oil pastel, and wax over electrostatic print on polypropylene substrate. Courtesy of the artist and Regen Projects. © James Welling

Course description:

College is a crucial institution in which our society works through its expectations for young people. This course explores the purposes of college education through the first great book on the philosophy of education, Plato’s Republic. We read The Republic in conversation with other thinkers including Aristotle, Confucius, John Stuart Mill, Virginia Woolf, Mahatma Gandhi, and Martin Luther King. For the 325th anniversary of Yale’s founding, we also explore the changing conception of college education at Yale over the centuries and read some of the college’s and the university’s key founding documents. Themes include the development of personal character, participation in a community, preparation for citizenship, and conversation with others on intellectual matters. We also explore some of the social and economic functions of college education.

The 2026 DeVane Lecture series will be led by Pericles Lewis, Dean of Yale College and Douglas Tracy Smith Professor of Comparative Literature

The class is free and open to the public and will run on Mondays and Wednesdays from 2:30 to 3:20 p.m., from September 2 to December 9, 2026.

Dance The Line
Friday, October 23, 7 – 11 PM
Tickets: $20

Grab your boots and get ready for a fun night out!

Join us for Line Dancing Night at The Granite. Dance the night away with friends — great music, great people, and plenty of fun. Beginner- and improver-friendly. Dancing and lessons throughout the night. BYOB welcome.

Bring a friend and don’t miss it! You can submit up to two dance requests in advance when you purchase tickets.

"Flamboyant presentation goes hand in hand with unquestioned virtuosity." —The New Yorker

To call Cameron Carpenter a virtuoso seems wholly inadequate. He is the world’s most visible organist, the first ever to be nominated for a Grammy Award for a solo album. Acclaimed for his flawless technique, Carpenter’s repertoire—from the complete works of J.S. Bach and César Franck to his hundreds of transcriptions of non-organ works, his original compositions, and his collaborations with jazz and pop artists—is perhaps the largest and most diverse of any organist.

For his third appearance at the Quick Center, Cameron Carpenter brings a totally different program than you’ve heard before. He will play the soundtrack live as we watch a classic silent film.

This is the 100th anniversary of the release of The General, a 1926 silent action-comedy film starring Buster Keaton. The film was inspired by the Great Locomotive Chase, an actual event that occurred during the American Civil War. Legendary filmmaker Orson Welles called this film "the greatest comedy ever made, the greatest Civil War film ever made, and perhaps the greatest film ever made.”

This event is offered as part of Alumni & Family Weekend.

Chicago, 1927. Tensions and temperatures rise during a blistering recording session as the legendary “Mother of the Blues,” Ma Rainey, and her ambitious trumpeter, Levee, clash over control of her music, exposing the emotional and economic exploitation Black artists faced in America. An exploration of dreams deferred, cultural identity, and the power of the blues, August Wilson’s electrifying masterpiece, Ma Rainey’s Black Bottom, returns in a brand-new production more than 40 years after it first raised the roof of the American theater in its world premiere at Yale Rep.

Keeping sharp and staying active is vital for older adults.

The AFA Barbara Rabinowitz Center offers free, dementia-friendly activities for Long Island seniors every weekday in Amityville.

The Center’s free programs help seniors strengthen their brains, be creative, and socialize.

Programs include arts & crafts, music, games, chair yoga, dance, and movement.

Visit afalongisland.org or call 631-223-4000 to learn more.

This exhibition explores the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art from the early 19th century to the present day.

These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.

Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as popular memory exoticized their beliefs and customs. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.

Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt will explore the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art ranging from the early 19th century through the present day. These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.
Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as their beliefs and customs became exoticized in popular memory. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.
Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt is curated by Megan Paqua (adjunct instructor of ancient Egyptian archaeology and art history and Fairfield University Art Museum Registrar) and will be on view from September 18 - December 12, 2026 in the Bellarmine Hall Galleries.

Charles-Théodore Frère, Along the Nile, ca. 1870, oil on panel. Fairfield University Art Museum, Gift of Michael T. Vigario’08, 2023, 2023.11.01

This exhibition focuses on more than 60 recent works by photographer James Welling (American, born 1951). From the artist’s Cento and Personae series, these photographs of ancient sites in Italy and Greece, as well as antiquities in museums around the world, underwent digital and painterly alteration to achieve transformative effects. The photographs will be exhibited alongside a selection from the Museum’s extensive collection of historic plaster casts of Greek and Roman sculpture.
As Welling explains, he is interested in “reanimating” the men and women of the ancient past through these works and connecting them to our own time in a fresh way through his innovative combination of photography and painting. Visitors to the exhibition will feel their curiosity piqued by his elusive and often haunting evocations of the ancient Mediterranean world.

James Welling, Fragment of a gold leaf wreath, 2020, oil pigment, oil pastel, and wax over electrostatic print on polypropylene substrate. Courtesy of the artist and Regen Projects. © James Welling

Exhibition chrysanthemum competition. See chrysanthemums like you've never seen them before, all sizes, shapes and forms (even bonsai). These are NOT your supermarket mums, think florist mums only bigger and many different forms.
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