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"Weird Al" Yankovic returns to the Tiny Desk with a couple parodies, a Weezer pastiche and the Emmy-losing closing-credits blues-rock jam to Weird: The Al Yankovic Story.
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Death Cab for Cutie has a gift for making the ordinary feel breathtaking. The band splits this mostly acoustic set between new songs and fan favorites.
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Charlie Puth walked into the Tiny Desk and turned it into a jazz club. Known for crafting some of the biggest pop records of the last decade, Puth approaches the Desk less like a hitmaker and more like a bandleader, reimagining familiar songs with fresh arrangements that spotlight the musicianship at his core.
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America's darling diva pairs up with the banjo guru of our time for a set of old Appalachian songs about love, loss and the sturdy hope for better times.
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The husband and wife duo , and their tight band, deliver fresh, soul, infected songs of uncommon power.
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Vince Staples' evolution has been remarkably rapid over the past decade. The Long Beach emcee assembles a vibrant young band to play selections from Cry Baby and a highlight from Dark Times.
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After four decades as a founding member of Red Hot Chili Peppers, Flea goes solo with a stellar jazz band.
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What Virginia-bred country singer and rapper Shaboozey represents is much bigger than himself: It's the reclamation of country music's roots as unapologetically Black.
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Shaboozey represents a reclamation of country music's roots as unapologetically Black. Alongside several special guests, he plays fan favorites and debuts new songs at the Desk.
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Fred Hammond, a leading architect of modern gospel music, gives us a catalog-spanning set and declares: "Tiny knows how to party in the Holy Ghost!" If the audience in the room that day is any indication, you won't want the show to end either.