Nov 04 Tuesday
Katharine Hepburn was married once, to Ludlow Ogden Smith, in 1928. She kept her Babani gown, which was sold after she passed away and stored for twenty years. The Katharine Hepburn Museum has brought this dress back home to Connecticut and it will be exhibited alongside two others - one from the play "The Lake" (1933) and one from the film "The Sea of Grass" (1947) to create a stunning trio. This beautiful exhibit brings together Kate’s stage, screen, and personal lives in a never-before-seen way.
Museum Hours:Tuesday through Friday 10 AM to 4 PM and one hour prior to performances. Closed major holidays.
Additional Summer Hours: Saturday and Sunday, 12 to 4 PM in July & August only
The Atelier at Flowerfield in St. James, NY announces a call to Artists for The Atelier Invitational: A Juried Show for Guest Artists, which will be on view November 6th, 2025 through December 11th, 2025.
The competition is open to artists 16 years or older. Artists working in any medium, with the exception of photography and video, are encouraged to enter. Up to three works are permitted per entrant.
PRIZES:1st Place: $2502nd Place: $1503rd Place: $50
The submission fee is $30.00 per artist. Accepted artwork must be submitted framed or gallery wrapped and ready to hang.
IMPORTANT DATES:• Submissions must be received no later than Monday, October 20th, 2025.• Accepted works will be notified by Friday, October 24th, 2025.• Work should be received no later than Monday, November 3rd, 2025.• Opening Reception, Thursday, November 7th, 2025.
To submit your work, click here: https://www.cognitoforms.com/TheAtelierAtFlowerfield/AtelierInvitational2025
For more information, please call 631-250-9009 or go to administrator@atelierflowerfield.org
Stitching Time features 12 quilts created by men who are incarcerated in the Louisiana State Penitentiary, also known as Angola Prison. These works of art, and accompanying recorded interviews, tell the story of a unique inside-outside quilt collaboration. The exhibition focuses our attention on the quilt creators, people often forgotten by society when discussing the history of the U.S. criminal justice system. Also on view in the gallery will be Give Me Life, a selection of works by women artists presently or formerly incarcerated at York Correctional Institution, a maximum-security state prison in Niantic, CT, courtesy of Community Partners in Action (CPA). The CPA’s Prison Arts program was initiated in 1978 and is one of the longest-running projects of its kind in the United States. Founded in 1875, CPA is celebrating 150 years of working within the criminal justice system.
Image: Kenny “Zulu” Whitmore, Etienne, Mutulu Shakur, and Maureen Kelleher (quilt design); Maureen Kelleher (quilting), James Baldwin: Quote #3, 2019, mixed cotton blends. Lent by Maureen Kelleher, © Maureen Kelleher
Monuments: Commemoration and Controversy explores monuments and their representations in public spaces as flashpoints of fierce debate over national identity, politics, and race that have raged for centuries. Offering a historical foundation for understanding today’s controversies, the exhibition features fragments of a statue of King George III torn down by American Revolutionaries, a souvenir replica of a bulldozed monument by Harlem Renaissance sculptor Augusta Savage, and a maquette of New York City’s first public monument to a Black woman, Harriet Tubman, among other objects from The New York Historical's collection. The exhibition reveals how monument-making and monument-breaking have long shaped American life as public statues have been celebrated, attacked, protested, altered, and removed.
The exhibition is curated by Wendy Nālani E. Ikemoto, Vice President and Chief Curator at the New York Historical.
Image: Johannes Adam Simon Oertel, Pulling Down the Statue of King George III, New York City, 11852-1853, oil on canvas. Gift of Samuel V. Hoffman. The New York Historical, 1925.6
Thursday, Sept. 11 opening with Jeffrey Greene, Connecticut Prison Art Project5:30 p.m. – Opening Lecture – Dolan School of Business Events Space6:30 p.m. – Reception – Dolan School of Business Event Space
Stitching Time features 12 quilts created by men who are incarcerated in the Louisiana State Penitentiary, also known as Angola Prison. These works of art, and accompanying recorded interviews, tell the story of a unique inside-outside quilt collaboration. The exhibition focuses our attention on the quilt creators, people often forgotten by society when discussing the history of the U.S. criminal justice system. Also on view in the gallery will be "Give Me Life," a selection of works by women artists who are presently or have been incarcerated at York Correctional Institution, a maximum-security state prison in Niantic, CT, courtesy of Community Partners in Action (CPA). The CPA’s Prison Arts program was initiated in 1978 and is one of the longest-running projects of its kind in the United States. Founded in 1875, CPA is celebrating 150 years of working within the criminal justice system.
Stop by the lobby of the Yale University Art Gallery to participate in a quilt-inspired community sewing project, meet new people, and enjoy one another’s company. Learn about and practice traditional patchwork patterns, or improvise on your own design. If you attended the quilting-based Sidewalk Studio this past summer, you may even be able to pick up where you left off. Generously sponsored by the Martin A. Ryerson Lectureship Fund.
No experience required. Materials are provided.
This fall’s Artolution exhibition will feature works from the UNHCR exhibition launched at UN Headquarters on World Refugee Day 2024. A companion panel with alumni working in NGOs and related sectors will explore today’s global refugee crisis.
Representative works from their collection will be on view at 1720 Post Rd. and a companion panel discussion will take place at Fairfield Theatre Company on Sanford St.
Presented by the Center for Social Impact
Nov 05 Wednesday