Nov 01 Sunday
This exhibition explores the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art from the early 19th century to the present day.
These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.
Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as popular memory exoticized their beliefs and customs. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.
Sheila Herzog, art collector and Metropolitan Museum of Art registrar, will give an enlightening, engaging lecture that takes the audience back to a day in Ancient Rome. The program will cover many aspects of Roman life, including the importance of wine, ritual and travel.
Participate in viewing and touching real ancient artifacts from Rome and Greece, provided by the Metropolitan Museum. After the lecture, enjoy a comparative wine tasting that compares wines from ancient Rome with those of today. Visit the Events Calendar at ridgefieldlibrary.org for more information and to register.
Course description:
College is a crucial institution in which our society works through its expectations for young people. This course explores the purposes of college education through the first great book on the philosophy of education, Plato’s Republic. We read The Republic in conversation with other thinkers including Aristotle, Confucius, John Stuart Mill, Virginia Woolf, Mahatma Gandhi, and Martin Luther King. For the 325th anniversary of Yale’s founding, we also explore the changing conception of college education at Yale over the centuries and read some of the college’s and the university’s key founding documents. Themes include the development of personal character, participation in a community, preparation for citizenship, and conversation with others on intellectual matters. We also explore some of the social and economic functions of college education.
The 2026 DeVane Lecture series will be led by Pericles Lewis, Dean of Yale College and Douglas Tracy Smith Professor of Comparative Literature
The class is free and open to the public and will run on Mondays and Wednesdays from 2:30 to 3:20 p.m., from September 2 to December 9, 2026.
Nov 02 Monday
His singers were costly temperamental Italians, his orchestras played in the French style, and George Frederick Handel (1685 – 1759) created a great to-do while glorifying the German kings of England with spectacles of water music and fireworks music. Parodied by The Beggar’s Opera into bankruptcy, both loved and hated, Mr. Handel found favor with audiences by turning his skills to the biblical oratorio in English, in which everyone could sing along.
Join Lucy Hallman Russell for a fascinating account of 18th-century music traditions, social mores, and controversies surrounding Handel and the Hanoverian kings of England, well before America declared independence from them.
About the speaker:
With her passion for cross-cultural insights, Lucy Hallman Russell engages her varied audiences with verve. She holds four diplomas in music from the Universities of Montevallo and Alabama, plus the Universities of Music Munich and Stuttgart, with specializations in piano, harpsichord, and musicology. In addition to doctoral studies at the University of Munich, she has pursued her interests in Italian, art history, prehistory, and archaeology. During her long tenure at the University of Music Würzburg, she was awarded the rare Silver Badge of Honor and created concert and music history study tours in Italy, France, and Russia.
Both scholar and performer of 17th century keyboard music, Lucy has appeared as harpsichordist and professor in Europe, the United States, China, and Russia. She has published essays on Frescobaldi, Froberger, and J. S. Bach and performed on numerous original harpsichords in museums, as well as Italian historical organs. Lucy Russell speaks fluent German and Italian, and converses in French, Spanish, and Russian, when necessary. She is an experienced speaker on music and cultural history all around Europe and has travelled in almost 60 countries.
Nov 03 Tuesday
Nov 04 Wednesday