Community Calendar

Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt will explore the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art ranging from the early 19th century through the present day. These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.
Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as their beliefs and customs became exoticized in popular memory. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.
Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt is curated by Megan Paqua (adjunct instructor of ancient Egyptian archaeology and art history and Fairfield University Art Museum Registrar) and will be on view from September 18 - December 12, 2026 in the Bellarmine Hall Galleries.

Charles-Théodore Frère, Along the Nile, ca. 1870, oil on panel. Fairfield University Art Museum, Gift of Michael T. Vigario’08, 2023, 2023.11.01

This exhibition focuses on more than 60 recent works by photographer James Welling (American, born 1951). From the artist’s Cento and Personae series, these photographs of ancient sites in Italy and Greece, as well as antiquities in museums around the world, underwent digital and painterly alteration to achieve transformative effects. The photographs will be exhibited alongside a selection from the Museum’s extensive collection of historic plaster casts of Greek and Roman sculpture.
As Welling explains, he is interested in “reanimating” the men and women of the ancient past through these works and connecting them to our own time in a fresh way through his innovative combination of photography and painting. Visitors to the exhibition will feel their curiosity piqued by his elusive and often haunting evocations of the ancient Mediterranean world.

James Welling, Fragment of a gold leaf wreath, 2020, oil pigment, oil pastel, and wax over electrostatic print on polypropylene substrate. Courtesy of the artist and Regen Projects. © James Welling

The Joan and Henry Katz Lecture in Judaic Studies

A Conversation with Marc Dollinger

Dr. Marc Dollinger is among the leading scholars of Jewish-Black relations in America and holds the Richard and Rhoda Goldman Endowed Chair in Jewish Studies and Social Responsibility at San Francisco State University.

He has served as research fellow at Princeton University’s Center for the Study of Religion as well as the Andrew W. Mellon Post-Doctoral Fellow and Lecturer in the Humanities at Bryn Mawr College, where he coordinated the program in Jewish Studies.

Professor Dollinger is author of four scholarly books in American Jewish history, most recently Black Power, Jewish Politics: Reinventing The Alliance in the 1960s. He has published entries in the Encyclopedia Judaica, the Encyclopedia of Antisemitism, and the Encyclopedia of African American Education. His next project, an academic memoir titled Laundering Antisemitism: Identity Politics, Ethnic Studies, and the University, Jewish Publication Society, traces his experiences as an identified Jewish (and Zionist) professor in the current political climate.

Dr. Dollinger currently serves on the executive board of the Union for Reform Judaism. He is also board president of URJ Camp Newman. Professor Dollinger is a past president of both the Jewish Community High School of the Bay and Brandeis Hillel Day School. He served on the board of the American Jewish Historical Society where he chaired the academic council. He sat on the California advisory committee to the United States Commission on Civil Rights, was named Volunteer of the Year by the SF Jewish Community Federation, and was awarded the San Francisco JCRC’s Courageous Leader award.

Professor Dollinger has spoken about his research on the PBS docu-series Black and Jewish America: An Interwoven History, with the CEO of the NAACP on CNN as well as the CNN-podcast “Silence Is Not An Option,” the NFL Network, ESPN, and Germany’s National Public Radio. Just for fun, Dr. Dollinger helped actress Helen Hunt learn about her Jewish roots on the prime-time NBC show, “Who Do You Think You Are?”

This exhibition explores the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art from the early 19th century to the present day.

These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.

Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as popular memory exoticized their beliefs and customs. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.

Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt will explore the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art ranging from the early 19th century through the present day. These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.
Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as their beliefs and customs became exoticized in popular memory. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.
Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt is curated by Megan Paqua (adjunct instructor of ancient Egyptian archaeology and art history and Fairfield University Art Museum Registrar) and will be on view from September 18 - December 12, 2026 in the Bellarmine Hall Galleries.

Charles-Théodore Frère, Along the Nile, ca. 1870, oil on panel. Fairfield University Art Museum, Gift of Michael T. Vigario’08, 2023, 2023.11.01

This exhibition focuses on more than 60 recent works by photographer James Welling (American, born 1951). From the artist’s Cento and Personae series, these photographs of ancient sites in Italy and Greece, as well as antiquities in museums around the world, underwent digital and painterly alteration to achieve transformative effects. The photographs will be exhibited alongside a selection from the Museum’s extensive collection of historic plaster casts of Greek and Roman sculpture.
As Welling explains, he is interested in “reanimating” the men and women of the ancient past through these works and connecting them to our own time in a fresh way through his innovative combination of photography and painting. Visitors to the exhibition will feel their curiosity piqued by his elusive and often haunting evocations of the ancient Mediterranean world.

James Welling, Fragment of a gold leaf wreath, 2020, oil pigment, oil pastel, and wax over electrostatic print on polypropylene substrate. Courtesy of the artist and Regen Projects. © James Welling

This exhibition explores the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art from the early 19th century to the present day.

These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.

Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as popular memory exoticized their beliefs and customs. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.

Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt will explore the enduring fascination with ancient Egyptian art and culture (dubbed “Egyptomania” by 19th-century Europeans) through a selection of paintings, prints, photographs, and decorative art ranging from the early 19th century through the present day. These objects, from the humble to the refined, from the shamelessly commercial to the Afrofuturist, represent the range of artistic responses to – and misconceptions about – ancient Egyptian visual culture.
Paradoxically, this enthusiasm for Egyptian symbols and motifs contributed to the erasure of the ancient Egyptian people themselves, as their beliefs and customs became exoticized in popular memory. The exhibition will examine how these objects reflect the phenomenon of “Egyptomania” over the last two centuries and will position their oversimplified or stereotypical narratives in conversation with current archaeological understandings of ancient Egyptian culture.
Hieroglyphs to Hype: The Modern Afterlife of Ancient Egypt is curated by Megan Paqua (adjunct instructor of ancient Egyptian archaeology and art history and Fairfield University Art Museum Registrar) and will be on view from September 18 - December 12, 2026 in the Bellarmine Hall Galleries.

Charles-Théodore Frère, Along the Nile, ca. 1870, oil on panel. Fairfield University Art Museum, Gift of Michael T. Vigario’08, 2023, 2023.11.01

This exhibition focuses on more than 60 recent works by photographer James Welling (American, born 1951). From the artist’s Cento and Personae series, these photographs of ancient sites in Italy and Greece, as well as antiquities in museums around the world, underwent digital and painterly alteration to achieve transformative effects. The photographs will be exhibited alongside a selection from the Museum’s extensive collection of historic plaster casts of Greek and Roman sculpture.
As Welling explains, he is interested in “reanimating” the men and women of the ancient past through these works and connecting them to our own time in a fresh way through his innovative combination of photography and painting. Visitors to the exhibition will feel their curiosity piqued by his elusive and often haunting evocations of the ancient Mediterranean world.

James Welling, Fragment of a gold leaf wreath, 2020, oil pigment, oil pastel, and wax over electrostatic print on polypropylene substrate. Courtesy of the artist and Regen Projects. © James Welling

Join us for our family program Getting StARTed, where we offer engaging activities to guide families in looking at art together. The 30-minute sessions focus on a range of works from the collection and build in time for participants to try the month’s activity on their own.

Meet by the couches in the Gallery lobby.