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  • McCartney and Youth returned to work as The Fireman for their third and latest release together, Electric Arguments. McCartney entered the studio, without any material, and recorded 13 songs in 13 days. The legendary artist reveals how his alter ego allows him the freedom to experiment.
  • The former American Idol contestant, whom Paula Abdul dubbed "one funky white boy," just made Fight for Love, his second album since the competition. Yamin dishes on his soul sound, his time in the TV spotlight and, of course, his mom.
  • Slumdog Millionaire composer A.R. Rahman produced a driving, powerful score that's already earned a Golden Globe. His organic approach to writing draws on a simple desire to make people smile when they listen. The eclectic soundtrack also features collaborations with singer M.I.A.
  • Laxalt will take on incumbent Sen. Catherine Cortez Masto in November in a high-stakes race as Democrats try to hold on to their slim majority in the upper chamber.
  • "Oh wow," comedian Chris Rock said in response to the Smith attack. Rock did not physically retaliate, though the rest of his words were muted on American TV stations.
  • The ruling amounts to an immediate ban of Facebook and Instagram in Russia, where both platforms are already blocked. WhatsApp, which is owned by the same company, is still allowed.
  • A roundup of key developments and the latest in-depth coverage of Russia's invasion of Ukraine.
  • The former vice presidential candidate filed with the Federal Election Commission to run for the late Don Young's House seat. Former President Trump endorsed Palin on Sunday.
  • The long-running daytime show The Wendy Williams Show, which had a reputation for being raw and irreverent, is ending. It will be succeeded by a show hosted by its producer Sherri Shepherd.
  • Pulitzer Prize winner August Wilson has spent more than 20 years writing a cycle of plays that chronicle black life in 20th-century America, decade by decade. For Intersections, a Morning Edition series on artists and their inspirations, the playwright discusses how he first found the language of the black experience in blues legend Bessie Smith.
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