Tim Greiving
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A Black avant-garde musician has successfully applied his visceral, voice-centered style to the films he has scored lately. His approach eerily suits the newest Candyman movie.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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The Disney+ documentary Howard features the life and work of Howard Ashman, a lyricist known for Little Shop of Horrors and one half of the duo that brought the music for three classic films to life.
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Looney Tunes turns 90 this year and HBO Max is launching a new series of cartoons, along with a new soundtrack composed by Joshua Moshier.
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The first woman composer to win an Oscar for best original score is releasing her first album of music not written for a film or stage production.
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The film "63 Up" is the latest in a series of documentaries following a group of British children — filmed every seven years beginning when they were 7 years old. They're now 63.
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Joker is a psychological character study of a disturbed man who turns violent. To give the comic book villain human depth, composer Hildur Guðnadóttir had to dig deep and empathize with the character.
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Twenty five years after he scored the original The Lion King, which won an Oscar, Hans Zimmer returns to Pride Rock to revisit the classic musical themes for a re-imagined tale.
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Randy Newman wrote the songs and scores for all of Pixar's Toy Story movies. As the fourth film opens on June 20, Newman reflects on his time with Woody, Buzz and friends.
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The Last Black Man in San Francisco is a whimsical elegy to a fading San Francisco. It features a score by Emile Mosseri that's exuberant and poetic, positioning music front and center in the film.