Respawn

Max Nielsen

In The Long Return, created by Max Nielsen, a young orphaned lion cub is retracing the last journey he made with his mother. Dale North composed the soundtrack, and he told me it was some of the most emotionally satisfying music he's written in a long time. 

Dale says the opportunity to write the score for The Long Return came at a busy time, but he was so taken by the story of the young cub, and the emotions he felt thinking about how the cub's mother is with him in spirit, that writing the music became a kind of refuge for his spirit.

Gearbox Software

There's lots to explore in Borderlands 3, the latest expansion in the game series that Gearbox Software began in 2009. Raison Varner has been with the series since the beginning as a composer, music supervisor and sound designer, and he says it's been an incredible experience to expand the music along with the games! For Borderlands 3, Raison worked with long-time collaborator on the series, Jesper Kyd, as well as Michael McCann and Finishing Move. Together they've created a diverse, eclectic soundtrack that still manages to feel familiar.

controlgame.com

As soon as composer Petri Alanko heard about Remedy Entertainment's paranormal thriller, Control, he knew he had to write the music for it! Petri was intrigued by the story of a seemingly-normal woman, Jesse Faden, who arrives at the well-hidden Federal Bureau of Control, looking for answers to her brother's disappearence. All is not as it seems, and Petri created a soundtrack that also isn't what it seems, including samples of his espresso machine and a friend's screeching brakes.   

furiousbee.co.uk

Nainita Desai's chamber orchestra soundtrack for Telling Lies by director Sam Barlow is pretty much the only honest thing in this intriguing live-action thriller. The player has access to a stolen hard drive to view videos of conversations with each of the four main characters, all of whom are hiding something. 

Nainita says working with Sam was an incredible experience because she was able to help flesh out each character's personality with her music, even before Sam had cast the actors.

Machine Games, Bethesda Softworks

The first time Tom Salta heard a synthesizer in the early 1980s he was hooked on the sound, so composing music for Wolfenstein: Youngblood by Machine Games was a dream project with a chance to recreate that vibe. Tom only used sounds and samples that were available in the 1980s to to create a pitch-perfect accompaniment to a story that follows the twin daughters of William Blazkowicz as they try to find out how he disappeared.  

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