Respawn

Elsinore, inspired by Shakespeare's Hamlet, gives players a chance to re-write the action, playing as Ophelia, who talks to the characters to try to fend off the doom of the haunted castle in Denmark.  Composer Adam Gubman told me he loved working on his Elizabethan-inspired soundtrack so much, he ended up writing much more music than the developers asked for.

When composer Chad Seiter got an invitation to create a live concert of music from video games, he immediately thought how awesome it would be to shine the spotlight on music from independent games. The Game Theory Concert will be presented on October 5th at the Ford Amphitheater in Los Angeles.

Mortal Kombat was the first game series that Wilbert Roget remembers totally falling in love with. The characters and the story were so much more real than those of many other games at the time. As he told me, he was thrilled to have the opportunity to write the soundtrack for the newest iteration, Mortal Kombat 11. 

Neal Acree's music has provided the emotional underpinnings for cinematics for Blizzard's World of Warcraft and Overwatch for years. Recently he released One World, the first track from his full-length album, The Velvet Machine. Neal has also been expanding his soundtrack for Frostkeep Studios' Rend, a game inspired by Norse mythology. He tells me that both of these projects gave him a chance to spread his wings and try new things.

Andrew Prahlow's first thought when he heard the description of Outer Wilds as a "backpacking adventure in space," was that it would be the perfect opportunity to use a plunky old banjo a friend had given him. Andrew was invited to compose the soundtrack for the game by his friend at Mobius Digital Games, Alex Beachum, and they agreed that the rustic home area of Outer Wilds needed a "homely" ensemble of guitar, banjo and harmonica.