Michael Salvatori

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Every composer approaches writing music differently, and few are willing to share their earliest sketches, but that's exactly what Marty O'Donnell has done in a series of fascinating videos in which we get to hear his earliest thoughts for the suite, Music of the Spheres, which he wrote as a prequel for Destiny, created by Bungie.

I had a deep dive with Marty into his composing process as we listened to these fascinating sketches and to the finished recordings performed by an orchestra.

bungie.net

The opportunity to write music for Destiny 2 and its subsequent expansions, including the just-released Forsaken is a dream come true for Pieter Schlosser. He says it was an incredible experience to have access to the themes that have become an iconic part of Destiny and "just go nuts with them!"

bungie.net

Once again the world of the Guardians experiences tragedy with the death of the beloved character Cayde-6 in Destiny's newest expansion, Forsaken, by Bungie. Composer Michael Salvatori says that although the  story of Forsaken is tragic, the possiblities offered for revenge and grief were fertile ideas for him and the rest of the music team.

emblyne

  

To generate excitement about its new game, Destiny, still in development, Bungie Studios had the idea of creating a musical prequel to give players an idea of what this new world would be. The music was initially begun by Marty O'Donnell, who later invited  Michael Salvatori to collaborate on what would be an eight-movement suite called Music of the Spheres

starpointgemini.com

Writing music for games is a dream that Nikola Jeremic has worked very hard to achieve. After winning several music and audio design competitions, and contributing additional music for games including Destiny 2, Nikola got the chance to score a game on his own. He says he combined his admiration for the music of Vangelis as well as Paul Ruskay's music for Homeworld in his OST for Starpoint Gemini Warlords.

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