interview

Amoeba Battle, a real time strategy game, gives teams of players a chance to save the world, defeating one virus at a time. Composers Kenny Wood and Igor Nemirovsky were encouraged by developer Grab Games to create music that gives an epic scale to the microscopic world the amoebas inhabit.

Players in Amoeba Battle can explore different worlds, and adapt their army of amoebas to the different enemies they encounter. Kenny and Igor say the developers at Grab Games provided lots of inspiration for the various enviroments. 

The spy-thriller, Spyder, from studio Sumo Digital, is an homage to a classic genre that had its golden age in the 1960s. The Apple Arcade game features an adorable mechanical spider, Agent 8, created like one of James Bond's gadgets, that players control during missions that are increasingly dangerous.

At this year's (now postponed) Game Developers Conference, composer and sound designer Oda Tilset planned to present a session about how incorporating music created by a computer's Artificial Intelligence can be a useful tool. Oda tells me that AI-generated music is really helpful to generate ideas that a composer might not have thought of. 

Ori and the Will of the Wisps by Moon Studios continues the adventure begun with the beloved Ori and the Blind Forest. Will of the Wisps takes Ori on an emotional journey as he searches for his new friend, Ku.  Gareth Coker, who also scored Blind Forest, told me that writing the score for Will of the Wisps gave him plenty of fresh ideas because of all of the new characters in the game.

The sparsely-populated world created as the result of a plague in The Surge 2 needed a suitably dystopian sound for the music. I talked with composer Helge Borgarts of BowsToHymns who, with his colleague Thomas Stanger, crafted their music for the soundtrack that's inspired by the striking visuals and unique sound design by developers Deck 13.