interview

alexandermarkov.com

For world-renowned violinist Alexander Markov, making music has always been a family affair, both his parents are gifted violinists and Alexander's first teacher was his father.  On Friday, November 8, Alexander and his family will present From Baroque to Rock, a concert for families at the Norwalk Concert Hall. The first half will feature classical music favorites, and the second half will showcase Alexander's love of rock music, and give him a chance to open the throttle on his electric, gold-plated violin.

pixabay.com

The Charles Ives Music Festival launches a nearly year-long season with a concert by cellist Julian Schwarz, pianist Marika Bournaki and friends on Saturday, November 2 in Ridgefield, Conn.

Kate Remington talks with Festival Music Director Paul Frucht about how the new festival continues Ives' legacy of musical curiosity and innovation. 

bungie.net

Bungie's latest Desiny 2 expansion, Shadowkeep, brings Guardians back to the Moon, only to discover that it's plagued by terrifying living nightmares, and long-vanquished enemies that need to be conquered again. Composers Mike Salvatori and Skye Lewin told me that not only did they write some of the most terrifying music ever for Destiny, but they blended in subtle hints of sorrow and brash heroic moments as well.

Max Nielsen

In The Long Return, created by Max Nielsen, a young orphaned lion cub is retracing the last journey he made with his mother. Dale North composed the soundtrack, and he told me it was some of the most emotionally satisfying music he's written in a long time. 

Dale says the opportunity to write the score for The Long Return came at a busy time, but he was so taken by the story of the young cub, and the emotions he felt thinking about how the cub's mother is with him in spirit, that writing the music became a kind of refuge for his spirit.

controlgame.com

As soon as composer Petri Alanko heard about Remedy Entertainment's paranormal thriller, Control, he knew he had to write the music for it! Petri was intrigued by the story of a seemingly-normal woman, Jesse Faden, who arrives at the well-hidden Federal Bureau of Control, looking for answers to her brother's disappearence. All is not as it seems, and Petri created a soundtrack that also isn't what it seems, including samples of his espresso machine and a friend's screeching brakes.   

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