Julie Freddino
WSHU Program Director, Sunday Baroque ProducerJulie Freddino is WSHU's Program Director and producer of Sunday Baroque. She discovered public radio in college and was immediately hooked. Starting as a board operator, she worked her way up to production assistant, producer, senior producer, and in 2003, became WSHU’s production director.
In 2018, Julie produced an independent, 6-episode audio drama, Mermaids of Merrow’s Cove, which was nominated for an AudioVerse Award — Best Engineering of a New Dramatic Production.
When not moving sound around, Julie can be found at the pottery wheel throwing clay.
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Till Eulenspiegel was a legendary prankster—part folk hero, part troublemaker.Richard Strauss turns his mischief into music full of twists, turns, and laugh-out-loud surprises. Hear Till Eulenspiegel’s Merry Pranks tonight on 91.1, 107.5, and our music stream. -
Mozart’s String Quintet No. 4 is a window into a turbulent moment in his life.Written as he was grieving his father’s death, its dark harmonies and aching melodies speak of loss… until the finale lets a little sunlight in. Hear it tonight on 91.1, 107.5, and our music stream. -
You know the rare sequel that actually improves on the original?This week on Reel Music, we celebrate them—with bold, memorable scores from The Empire Strikes Back, The Godfather: Part II, Star Trek II: The Wrath of Khan, and more. Join us Saturday night at 9, and now Sunday at 6, on 91.1, 107.5 and our music stream. -
Jessie Montgomery’s Coincident Dances is a vibrant fusion of classical, jazz, hip-hop, and Latin rhythms—capturing the energy of New York’s streets in one electrifying piece. -
Mozart's Symphony No. 34 is bright, elegant, and full of life—written when he was just 24. Glorious melodies, a joyful spirit, and a finale that really kicks up its heels. Hear it tonight on 91.1, 107.5, and our music stream. -
At just 19 years old, Samuel Coleridge-Taylor was told: don’t imitate Brahms.So he didn’t—he answered him. His Clarinet Quintet uses the same instruments and structure as Brahms’s, but speaks in a voice all its own. -
Riccardo Muti conducts the Vienna Philharmonic in a sweeping program featuring Schubert’s “Great” Symphony on Carnegie Hall Live, tonight at 8pm. -
What happens when a 20th-century composer tips his hat to a 17th-century gentleman? You get Rodrigo’s Fantasía para un gentilhombre—a suite of graceful dances, dazzling guitar solos, and timeless charm. -
After a long day, take a moment to exhale. Carlos Guastavino’s Cantilenas Argentinas y Final offers gentle melodies, rooted in the folk traditions of Argentina—music that soothes, sways, and restores. -
It’s one of classical music’s most haunting mysteries... Franz Schubert’s Unfinished Symphony has just two movements, yet it feels complete. Did he mean to stop there? Or leave it behind unfinished?
